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Glen Osprey FarmIcelandic SheepNancy Pease, Shepherd |
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Although sheep have been raised on this farm almost from the begining we have only had purebred Icelandics since 1990, the original three animals being from Stefania Sveinbjarnardottir Dignum's second importation. Triplet births and wool quality are the traits that we feel are most important and for which we are actively selecting. Then there is the remarkable beauty of these creatures! Two trips to Iceland have only confirmed and strengthened our appreciation of this unique breed. April and May are lambing time at GOF and breeding stock is available from mid-summer on. We are especially proud of our grass-fed freezer lambs ] sold by the half carcass].Orders are taken in August. The Canadian Livestock Records Corporation, 2417 Holly Lane, Ottawa On., Canada K1V 0M7, 613-731-7110,FAX613-731-0704. clrc@clrc.on.ca, is the only recognized registry for Icelandic Sheep in North America, at this time. We are proud members of the Icelandic Sheep Breeders of North America whose secretary, Deb Kimball can be contacted at PO Box 38 Nottingham, NH, U.S.A. 03290-0038 Tel: 603-679-2081 for a current members' list and upcoming events. |
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The Icelandic breed is one of the oldest and purest domesticated sheep in the world. As do most 'unimproved' old breeds, it has a dual coat. The long outer coat is called TOG and the finer inner coat is called THEL. On average, the TOG has a count of 50-55 and the THEL of 65-70. This varies widely from animal to animal within the breed. The wet, windy, cold climate of Iceland probably has exerted a selection bias for this useful and durable double coat. The TOG is good protection against the wind and rain, while the lofty THEL is an excellent insulator. The TOG has little or no crimp even though it can appear as long soft ringlets on the animal, sometimes sweeping almost to the ground. The length of TOG makes it possible to spin the wool very loosely and still obtain strong yarns. The THEL has a unique crimp which is the reason Icelandic bulky wool yarns are so light and springy. In years gone by, when wool was handspun in Iceland, it was common to separate the TOG and THEL by hand. This allowed for much more varied uses than is possible with the wool of other breeds. Undergarments and baby clothes, horse halters and woven cloth could all be made by sorting the wool specifically for the end use. The breed has one of the widest palettes of natural lustrous colours available from living animals: jet black, mat black, a wide range of greys, dark browns, light browns , fawn, tan, oatmeal, mat white and silver whites. There are a dazzling assortment of patterns and spots available. Fleece weight ranges from 3 to 9 lbs depending on age, sex and nutrition. The wool is naturally shed once a year, and can be ROOED by hand. But for North American markets, twice a year shearing seems to provide the best product. Commercial buyers cannot make use of the extra length of Icelandic Wool the way handspinners can, but are eager for the six month length of white fleeces.Custom spinners such as Belle ValleeWools [705-647-8686] appreciate more consistant lenght to accommodate their machinery processing. Frequently,one of the two clips per year will be more suited to the felter's craft. Many talented artist such as Rex Mongold [ Tongue River Farm, trf@mcn.net] and Bev Frank [ Virgin Wool Custom Processing,519-925-2903]among many others, are doing truly fabulous work in felt. |
WHY ICELANDIC SHEEP
We purchased our first Icelandics so that I would have something
to spin, as the Romanov wool that I had from our productive
meat flock was really too hairy for much more than novelty spinning
[ like dust balls and dryer lint, Romanov wool has to be tried
by ever fledgling spinner!].
The intelligence and humour of these independent Icelandics
makes them a good choice as a pet. The variability of the fleece
and the complex colour genetics make them a challenge to
breed.Their modest production [ 200% lambing]
and self reliance make them very easy to shepherd.
Knitting is something I taught myself to do more than 30
years ago when I had a lab job and had the luxury of "breaks"
at work.But I only got serious about it somewhat later and really
started spinning in order to have a good supply of "free"
yarn! As with so many women, I was afraid to knit anything but
the precise patterns ,with the designated yarns , and finish as
per the instructions!!! Spinning set me free from all of that.
Very soon I found out that there was a Production Spinner
inside! Now there are mountains of my yarns ,of different
weights and colours ,waiting for me to live long enough to knit
them all! Making my own yarns has also allowed complete freedom
to experiment with all manner of dyes, both commercial
and organic. This is a world of pleasure all on its own! Frequent
requests for our wool products suggested that we start a litte
subsiduary........
GLEN OSPREY WOOLTRADE YARNS
Wool from our small flock is sheared twice a year, washed at home,
carded by the one woman work force of Bev Frank at Virgin
Wool Custom Processing [Shelburne,ON 519-925-2903] and spun
at home by myself or my daughter, Elizabeth Ruttan. There
are three different wheels employed to result in differentweights
of yarn: the trusty old workhorse Luoet; the speedy Schacht;
and the elegant Fjord Reproduction Wheel of David Syme
[ Wharncliff Wood & Wheele, symed@sun.log-in.com].These
one, two, or three plied yarns are routinely preshrunk in hot
water and rinsed with eucalyptus oil to discourage moths. Although
we spin to suit ourselves, we have more than enough to share!
Both Elizabeth and Nancy knit as many as ten sweaters a winter
each and no two are going to be thae same as we are always experimenting
withsome new combination of colour and texture, deign and finish.
Knitting is a wonderful and fluid means of expression and we are
fortunate in North America to be experiencing a major knitting
revival ! Who is that knitting in class? Could be Elizabeth!
Who is that knitting at cattle sales and farm meeting? Could be
Nancy! Who is that digging up the garden for dyestuff and collecting
weeds for the dye pot along the roadside? Could be both of them!
Individually, and together, Nancy and Elizabeth are active members
of: the Huronia Spinner's Guild, the Freewheelers
Spinning Guild. the No Name Spinner's Group , and the Knitter's
Guild of Canada [ bootsie.ckc@sympatico.ca].
THE YARN SHOP
Mail order and direct farm visits are our usual methods of selling our yarns. We do not make up kits and all stock is subject to availability.Call Nancy on the phone [519-925-6412] send a FAX [ 519-925-1297] or e-mail us [ dpease@salerscattle.com].
*100% Icelandic handspun yarns are sold in batch lots for $50.00
per lbs.F.O.B.
*batches can vary from 4 0z. to 4 lbs. depending on how much we
had available from that individual animal or small grouping or
in that colour
*yarns are usually spun suitable for
6mm needles or 4mm needles
*finner yarns [ and coarser yarns] are available
* 3-ply yarns employing 2 strands of dark wool and 1 strand
of coloured acrylic are a new experiment for us
*yarns have been successfully sent ,by regular post, all over
this country
*wool blends and dog or cat yarns are sometimes available [ variable prices]
*custom spinning of dog hair is ocassionally possible [with deposit]
PHILOSOPHICAL DIGRESSIONS
I have long pondered the problem: Why do knitters not
buy yarns from hand spinners?
Do you have an answer? A theory? Why can't knitters see the potential
to build on their very own ideas of colour and design? Why do
so many still need the crutch of a "kit"? We are told
Michelangelo could see the statue hidden inside the stone. He
didn't buy a kit of marble block, miniature sketch of David, colour
chart , and general blocking instructions,with choice of finishes!
To purchase a kit is like painting by numbers and it is good as
a beginner's tool or as a practice
exercise --but as an end in itself? I wonder. If knitting is a
stress release mechanism for working women [ a Harlequin Romance
for the hands] then so be it! But if it is a Creative Craft or
even an Art Form [ as so many publications would try to make us
believe] then some knitters should be able to break free!
I do not believe it is the cost of Homespun, not when you see
the price tags of some designer kits!! It could be the limited
natural colours or the necessity of buying the entire "lot"
because of uniqueness of supply--but
wool can
be dyed any colour
you want, and many knitters buy more in a binge
than they can knit in a year. So the question remains: why do
the majority of knitters not support the work of their fellow
women and buy hand spun yarns?What do you think?